Fantomina or love in a maze

I was describing the plot to my mom afterwards and screaming. Jan 20, Julia Pillard rated it really liked it My youngest sister was at my apartment while I was reading this. I told her I was reading a somewhat smutty early eighteenth century novel for one of my Master's classes.

Fantomina or love in a maze

The Novel and the Individual Extended Commentary: Eliza Haywood, Fantomina; or, Love in a Maze The contemporary success of a novel can provide a worthwhile indicator of its cultural significance. She was also an actress and, during the s, a publisher in her own right.

Fantomina or love in a maze

For an extended discussion of this particular aspect of the literary culture of the period, see Critical Theories and Debates: Meeting demands, however, does not necessarily mean merely imitating popular literary models, since, as Paula Backscheider and John Richetti argue: To gain this effect, she sometimes creates the perspective of women watching men and construing them an alien, secret society.

She can also meld class privilege with gender power in ways that have startling, contemporary resonance.

Fantomina: or, Love in a Maze

Like the hapless Beauplaisir in Fantomina or love in a maze text, however, readers should be wary of outward appearances. Very quickly, however, the inevitable dilemma arises concerning how far she will carry on the disguise — and the subsequent role of the high-class prostitute — that she has assumed.

A compelling combination of fierce determination, desire and sexual innocence leads her to devise a rather precarious plan in order to meet Beauplaisir again in private. She had now gone too far to retreat.

She fearful — confused, altogether unprepared to resist in such encounters, and rendered more so by the extreme liking she had to him.

The stratagem sees Fantomina transformed, in turn, into a pretty maid in Bath called Celia, a charming young widow named Mrs Bloomer, and finally into the utterly mysterious Incognita.

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Disguise and masquerade are prevalent themes in much eighteenth-century literature and amatory fiction in particular ; here and elsewhere, they offer the protagonist a liberating and empowering ability to control both her own identity and sexual agency. The protagonist is eventually brought to an important self-realisation concerning her use of disguise, one that allows Haywood to overwrite the formulaic model of amatory fiction itself.

Possession naturally abates the vigour of desire, and I should have had, at best, but a cold, insipid, husband-like lover in my arms; but by these arts of passing on him a new mistress whenever the ardour, which alone makes love a blessing, begins to diminish for the former one, I have him always raving, wild, impatient, longing, dying.

Beauplaisir is a willing — if also unwitting — accomplice to his own seduction. The reader is Beauplaisir, endlessly and willingly diverted by novelty and artifice in pursuit of other pleasures.

He resolves to wake early, to catch a glimpse of her face before she dons the mask, only to find himself outwitted again as she has contrived to keep him in an artificially darkened bedroom.

Turning day into night, she once again slips away unrecognised pp. In order to satisfy their own ends, readers knowingly suspend their disbelief and submit to any number of literary contrivances and stratagems in the hope of delaying the moment which concludes their reading pleasure.

It is a pleasure based, in part, on the knowledge that texts have the power to manipulate the emotional responses of individual readers even as they present scenes, plots and characters that are deeply implausible.

Put another way, a consciously artificial literary text does not deny the presence of a realm in which diverse individual experience exists, it merely places a beautifully elaborate and curious mask in front of that experience.Fantomina: or Love in a Maze - Kindle edition by Eliza Haywood.

Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Fantomina: or Love in a r-bridal.coms: 3. A scheme to keep a man on his toes, “Fantomina; or Love in a Maze” by Eliza Haywood, published in is an 18th-century novel that includes an unnamed protagonist.

Fantomina - Wikipedia

This mysterious woman disguises herself in many personas to deceive and seduce a man of her interest/5. Sep 13,  · This feature is not available right now.


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Fantomina or love in a maze

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Fantomina; or, Love in a Maze by Eliza Fowler Haywood